Paris: What It Is That Alber Elbaz Does at Lanvin

October 3rd, 2009
Lanvin Spring 2010

Lan­vin Spring 2010

He wraps, folds, drapes, and knots fab­ri­ca­tion around the body. He applies jew­elry to the whole by pil­ing decades worth of inspi­ra­tion that messes with this historian’s head — how can a pick­pocket mix of mid-century, the rifts on Sea­man Schepps’ wooden gems, 1960s blends of clash­ing color, David Webb-esque beasts chomp­ing at the bit, and 1950s neo-Victoriana, work? Yet they do — and well. This is designer Alber Elbaz’s gift to Lan­vin. He is a framer. It is is a well-known premise that a pic­ture frame works best when it so com­pli­ments the art it sur­rounds and the envi­ron­ment in which it is viewed, that it becomes prac­ti­cally invisible.

Lanvin Spring 2010

Lan­vin Spring 2010

Lanvin Spring 2010

Lan­vin Spring 2010

Lanvin Spring 2010

Lan­vin Spring 2010

Lanvin Spring 2010

Lan­vin Spring 2010

Lanvin Spring 2010

Lan­vin Spring 2010

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