The Spring 2010 Collections Win by a Neck
September 20th, 2009
3.1 Philip Lim Spring 2010
To begin, there was no running fashion narrative, save for the far too evident bangle, reinvented in only a few clever forms and, heaven help us, seen on nearly every runway. Despite this yawning thread, the jewelry concepts were designer-specific — each varying perspective contributed to creating a virtual how-to-dress-with-jewelry handbook.

Doo.Ri Spring 2010
3.1 Philip Lim, Doo.Ri, and Zack Posen chose abstractionist forms in jewelry. Posen in particular stole not a little from Salvador Dali’s infamous Ruby Lips motif by turning it into a plastic, multi-hued emblem, and tossing it on the clothes like cheeky confetti. Lim’s neck pieces of crumpled metal hung from black ribbons and chain connected to his clothes’ geometric undercurrent. Shadow played off the asymmetrical folds of the gleaming bright yellow metal, suggesting gold nuggets in their raw state. A similar metallic perspective shone on Doo.Ri’s spring runway; her clothing, drawn from a color spectrum inspired by various alloys, was aligned with feather-light ornaments that echoed Alexander Calder in curve and line yet kept the clothing buoyant, not drowning in derivative association.

Marc By Marc Jacobs Spring 2010
The independant bejeweled their catwalks by storm. Anna Sui took her accessories and make frolicking fun out of the effort. Pendant necklaces and beaded bracelets were girlish, cutie-pie, and cat-nippy all at once, which was keeping with the idea of jewelry and clothes as working as a single unit of style rather than piecing together separate elements. It would be difficult to envision this jewelry worn with anything else other than her designs. Going back briefly (very) to the bangle business, Marc Jacobs for his Little Marc line took the idea to the neck; a circlet of metal hung around in way and gave us something new. Proenza Schouler did an modern, highly-textured cuff that I might have mistaken for something Jacobs did a few season’s past. It worked well with their hard-core outdoors-girl statements. Rag & Bone made us see the androgynous stickpin anew. Ah, a pin…yes, a stickpin! (please see my book for a photo of fabulous Hattie Carnegie examples).

Oscar de la Renta Spring 2010

Vera Wang Spring 2010
Then there were the ornamentalists. Gorgeous is as gorgeous does at Oscar de la Renta where lux is the only language spoken. Vera Wang’s fondness for beautiful jewelry was clearly in evidence on her Spring 2010 runway — it seems as though she puts as much into her bejeweled accessories as she does the clothes. The cobweb necklace she showed on her models appeared as much a celebration of her cleverness as arachnid sartorial deftness sans a needle and thread; it isn’t quite clear as to who to congratulate first.

Naeem Khan Spring 2010
Those who tossed, webbed, layered and otherwise carelessly (or so it seemed) clashed necklaces together, like Naeem Khan and Michelle Smith at Milly, entangled us in their artistic sentiments. Pairing dissimilar necklaces with abandon can sometimes prove brilliant — sometimes not. It’s all in the mix, but it would be wise to remember that this kind of pot luck does require a smile from the fashion gods so emulate with a careful eye.

Donna Karan Spring 2010

Marc By Marc Jacobs Spring 2010
I recall both of my dear grandmothers wearing their summer jewelry which consisted of white enamel chains, earrings, rings, and bracelets. It was the kind of beach-club bling that dialed-up your tan and hopefully distracted from the misshapen and fraying straw hat perched atop your swept-up do. Contemporary gran-glamour returns in the form of great white chains at Donna Karan and gumball-drops-on-black-leather-cord at Little Marc, which the latter contrasted skillfully with a red and black plaid. The strike of blinding white at the neck was a little like the soul-satisfying goodies from grandma’s picnic-basket. You just wanted to bask in the sunlight of the familiar, eat, and enjoy the moment.
Tuesday: The Emmy’s and London Fashion Week (so far)
