Mass Market Jewelry: What Does It Really Say…
June 18th, 2007about us or about the retailers who make it an part of their fashion aesthetic? Sometimes I understand how particular jewelry designs work within the context of say, Target, but with other retailers, such as JCrew, I’m just stupified. I buy into JCrew’s preppy/moderne clothes. I appreciate their fabrications, especially the high quality goods from renowned mills. I don’t really get their jewelry though. What is it exactly? How does a wooden plaque pendant with a golden anchor say anything about either me, the wearer, or them, as the purveyor?
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This is a summer accessory that speaks of maritime pleasures, but what if you are a dedicated NYC landlubber? Oh, well, then yes, there are those neo-sophisticated, not-worth-the-expense charm bracelets (I might also like to add here that the beauty of a charm bracelet lies in its quirkly character or the individual beauty of each element as well as the personal meaning of the charms to whomever owns the bracelet—JCrew’s selection has a theme-park feel that just isn’t genuine). Moreover, I think these bracelets have a 1940s or even 50s inspiration that isn’t in keeping with their current swinging sixties/early seventies clothing statements. Why not try to create jewelry that has an estate mood but also modern sensibility so that it compliments ANY period of clothing? Cliches in reproduction jewelry end up at the bottom of the dresser drawer, collecting dust. Retailers on this level need to show that we appreciate the past but also find a way to way to express who we are today. Yes, I do mix and match vintage with contemporary–but I enjoy being creative this way and making it my own. However, that should be form of self-expression and not a test of talents, there are far too many women out there who just want to look great and not have to think about it much—and that’s where stores like JCrew and Banana Republic come in. With their research and resources, they could do better.
Banana Republic is another staple source that many women look to for something trend-worthy and not terribly expensive. However, their jewelry just doesn’t make sense to me. Occasionally I’ll see something that smacks of style and then right next to it is a long lost design just waiting for that sad little wicker sale basket they have at check-out. Right now their earrings have some sort of exotic South Asian flair and their bracelets consist of rather modern, sculptural bangles, nests of beads, a couple of nondescript charm bracelets and a single example called the Goddess Bracelet that has some relation to their earrings. Still my question remains unanswered: What does this have to do with the clothes they’re showing? How can they work together in way that inspires the customer? Will a necklace be a great out-to-dinner piece and/or a lyrical note to add to a garden party ensemble? Just throwing these pieces onto a website or in a store display explains very little and the open-endedness leaves me with notion that their jewelry designs are merely an afterthought. My suggestion would be to offer fewer items and make them more important pieces, of better design and less tinsel.
Target is a little different in that there is no real cohesive statement being made there, just a lot of really great ideas. It’s more Moroccan bazaar than Harper’s but the jewelry isn’t pretending to be something it’s not. Today, I clicked my way through their website and found a quotation bracelet that looked suspiciously like those made by Jeanine Payer. Whether or not this particular ornament was produced by the designer was not mentioned anywhere on the site, and while I wouldn’t be surprised to find this to be true, it doesn’t matter. The fact is that in addition to their slew of fun, colorful baubles, trinkets, and some better jewelry, they have their pulse on what’s going on fashion-wise as well as the ever-vacillating cultural zeitgeist. Personal adornment and style can be expressed in so many ways, with words, with gems or simply with taste.
